{"id":508,"date":"2014-12-04T02:12:16","date_gmt":"2014-12-04T02:12:16","guid":{"rendered":"https:\/\/blog.jillpearlman.com\/?p=508"},"modified":"2014-12-04T02:18:21","modified_gmt":"2014-12-04T02:18:21","slug":"goyas-eyes-wide-open","status":"publish","type":"post","link":"https:\/\/blog.jillpearlman.com\/?p=508","title":{"rendered":"Goya&#8217;s Eyes Wide Open"},"content":{"rendered":"<p><a href=\"https:\/\/blog.jillpearlman.com\/wp-content\/uploads\/2014\/12\/Goyaswing-e1417654391369.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-505\" src=\"https:\/\/blog.jillpearlman.com\/wp-content\/uploads\/2014\/12\/Goyaswing-e1417654391369.jpg\" alt=\"Goyaswing\" width=\"450\" height=\"338\" \/><\/a><a href=\"https:\/\/blog.jillpearlman.com\/wp-content\/uploads\/2014\/12\/photo-551.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-499 size-medium\" src=\"https:\/\/blog.jillpearlman.com\/wp-content\/uploads\/2014\/12\/photo-551-300x225.jpg\" alt=\"Sleep of Reason Produces Monsters\" width=\"300\" height=\"225\" srcset=\"https:\/\/blog.jillpearlman.com\/wp-content\/uploads\/2014\/12\/photo-551-300x225.jpg 300w, https:\/\/blog.jillpearlman.com\/wp-content\/uploads\/2014\/12\/photo-551.jpg 640w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><a href=\"https:\/\/blog.jillpearlman.com\/wp-content\/uploads\/2014\/12\/photo-553-e1417654532964.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-504\" src=\"https:\/\/blog.jillpearlman.com\/wp-content\/uploads\/2014\/12\/photo-553-e1417654532964.jpg\" alt=\"Antonella\" width=\"450\" height=\"338\" \/><\/a><\/p>\n<p>Francisco Goya is our man.\u00a0\u00a0 A man of the people, a man of the courts. A man of the hunt, a man of famine. A man of Woman and a man of children. A man of Wars. It all came across his screen.<\/p>\n<p>He stood in the middle of streams of radical change. The Enlightenment and French Revolution had produced wonders and terrors. Goya&#8217;s images are part of that flux. They are still images, but are too alive to be held still. I took the above photos from a video slide show at Boston&#8217;s Musuem of Fine Arts, themselves reproductions from the exhibition &#8220;Goya: Order and Disorder.&#8221;\u00a0\u00a0 It&#8217;s as if stones were thrown to break the stillness of the images, to break and return them to the space between life and art.<\/p>\n<p>Even when Goya closed his eyes as in the middle photo, from the etching &#8220;The Sleep of Reason Produces Monsters,&#8221; he was awake. The work is often interpreted as a cause and effect &#8211; the revenge of devils and religion when rational thought is cast aside. Goya was too great an artist to rest on that, or any single meaning.\u00a0\u00a0 The full epigraph reads, &#8220;Fantasy abandoned by reason produces impossible monsters: united with her, she is the mother of the arts and the origin of their marvels.&#8221; In other words, the pairing of imagination and reason leads to true art.<\/p>\n<p>Goya&#8217;s haunted image would be taken up by romantics and surrealists. One senses that the hairy beasts, the bats and winged cat faces and witches&#8217; demons were not his own phantasms, not simply an exploration of the tangled world of his unconscious and intimate prey, but rather the after-images on the back of his eyelids. They are the negatives of society&#8217;s decay, a darker tone of his satires.\u00a0\u00a0 He didn&#8217;t impose meaning on his subjects; he took their meaning in and suffered with them.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Francisco Goya is our man.\u00a0\u00a0 A man of the people, a man of the courts. A man of the hunt, a man of famine. A man of Woman and a man of children. A man of Wars. It all came &hellip; <a href=\"https:\/\/blog.jillpearlman.com\/?p=508\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[106,107,108,110,109],"class_list":["post-508","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-goya","tag-mfa","tag-order-and-disorder","tag-spanish-artists","tag-the-sleep-of-reason-produces-monsters"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p4D5qU-8c","_links":{"self":[{"href":"https:\/\/blog.jillpearlman.com\/index.php?rest_route=\/wp\/v2\/posts\/508","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.jillpearlman.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.jillpearlman.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.jillpearlman.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.jillpearlman.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=508"}],"version-history":[{"count":13,"href":"https:\/\/blog.jillpearlman.com\/index.php?rest_route=\/wp\/v2\/posts\/508\/revisions"}],"predecessor-version":[{"id":521,"href":"https:\/\/blog.jillpearlman.com\/index.php?rest_route=\/wp\/v2\/posts\/508\/revisions\/521"}],"wp:attachment":[{"href":"https:\/\/blog.jillpearlman.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=508"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.jillpearlman.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=508"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.jillpearlman.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=508"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}