{"id":632,"date":"2015-03-24T20:31:50","date_gmt":"2015-03-24T20:31:50","guid":{"rendered":"https:\/\/blog.jillpearlman.com\/?p=632"},"modified":"2015-03-26T03:14:21","modified_gmt":"2015-03-26T03:14:21","slug":"tattoo-by-ken-ueno-ovid-and-joyce","status":"publish","type":"post","link":"https:\/\/blog.jillpearlman.com\/?p=632","title":{"rendered":"Tattoo by Ken Ueno, Ovid and Joyce"},"content":{"rendered":"

\"IMG_5723-2\"<\/a><\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Et ignotas animum dimittit in artes<\/em>\u2028\u2013 Ovid,\u00a0Metamorphoses<\/em>, VIII, 18<\/p>\n

And he sets his mind to unknown arts.<\/p>\n

A Portrait of the Artists as a Young Man, by James Joyce, epigraph<\/p>\n

 <\/p>\n

I don’t know many people who have Latin quotes from Irish modernist classics on their arm. \u00a0 It’s not a picture of an anchor or Mom or serpent, and it’s brilliant! \u00a0Contemporary composer and musician KenUeno takes as his watchword the freedom and risk of the artist, the need to rise above confinement, to live in the soaring mental and aesthetic space between heaven and earth.<\/p>\n

In classical mythology, Daedalus did it. \u00a0He “set his mind” to flying away from Crete, imagining the only space that wasn’t controlled by King Minos. \u00a0His art took him towards the gods.<\/p>\n

James Joyce in A Portrait of the Artists as a Young Man <\/em>took as his model that master artist. His character and alter ego, Stephen Dedalus, escaped into exile to work outside programmed language and Irish Catholicism. \u00a0 With risk and exhilaration, he jumped into unknown arts, breathed in the sound and feel of language. \u00a0He fought for the artist’s natural place between man and the divine that partakes of both, a self in suspension and in progress.<\/p>\n

Ueno allies himself with the artist who slips out of accepted labyrinths of culture. Here he is speaking about his tattoo:<\/p>\n

“Ever since I was in high school, when I read Joyce\u2019s Portrait of the Artist as a Young Man<\/em>, I have been in awe of this epigraph.\u00a0 It’s a quote from Ovid\u2019s Metamorphoses<\/em>, capturing the moment of inspiration when Daedalus thought of inventing flight.\u00a0 It speaks to all moments of creativity, of transcending terrestrial boundaries.\u00a0 It also speaks of the presence of history in creative acts that point towards the future, as well as the integration of life an art (Portrait <\/em>started as an autobiographical sketch), which has been important in my art practice.\u00a0 So, when it came time to get my \u201ctenure tattoo,\u201d I knew what I wanted. The font, I would like to note, is based on Da Vinci\u2019s handwriting. It is important to me, since I use it in my scores.\u00a0\u00a0I’ve been in exile my whole life like Stephen Dedalus.”<\/p>\n

Ueno is the composer of “Four Contemplations,” music commissioned by and performed with Community MusicWorks March 26-29, 2015. \u00a0For more information, see \u00a0Communitymusicworks.org\u00a0<\/a>\u00a0 To read my profile of Ken Ueno, click here:\u00a0http:\/\/communitymusicworks.org\/how-to-think-about-oneness-an-interview-with-ken-ueno\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Et ignotas animum dimittit in artes\u2028\u2013 Ovid,\u00a0Metamorphoses, VIII, 18 And he sets his mind to unknown arts. A Portrait of the Artists as a Young Man, by James Joyce, epigraph   I … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[181,184,183,178,177,180,179,182],"class_list":["post-632","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-community-musicworks","tag-contemporary-composers","tag-extended-vocals-techniques","tag-james-joyce","tag-ken-ueno","tag-ovid","tag-portrait-of-the-artist","tag-tuvan-throat-singing"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p4D5qU-ac","_links":{"self":[{"href":"https:\/\/blog.jillpearlman.com\/index.php?rest_route=\/wp\/v2\/posts\/632","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.jillpearlman.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.jillpearlman.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.jillpearlman.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.jillpearlman.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=632"}],"version-history":[{"count":12,"href":"https:\/\/blog.jillpearlman.com\/index.php?rest_route=\/wp\/v2\/posts\/632\/revisions"}],"predecessor-version":[{"id":658,"href":"https:\/\/blog.jillpearlman.com\/index.php?rest_route=\/wp\/v2\/posts\/632\/revisions\/658"}],"wp:attachment":[{"href":"https:\/\/blog.jillpearlman.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=632"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.jillpearlman.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=632"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.jillpearlman.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=632"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}