{"id":721,"date":"2015-05-20T18:59:16","date_gmt":"2015-05-20T18:59:16","guid":{"rendered":"https:\/\/blog.jillpearlman.com\/?p=721"},"modified":"2015-05-20T18:59:53","modified_gmt":"2015-05-20T18:59:53","slug":"kaddish-aux-armes-et-caetera","status":"publish","type":"post","link":"https:\/\/blog.jillpearlman.com\/?p=721","title":{"rendered":"KADDISH, AUX ARMES, Et CAETERA"},"content":{"rendered":"<div id=\"attachment_720\" style=\"width: 276px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/blog.jillpearlman.com\/wp-content\/uploads\/2015\/05\/images.jpeg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-720\" class=\"size-full wp-image-720\" src=\"https:\/\/blog.jillpearlman.com\/wp-content\/uploads\/2015\/05\/images.jpeg\" alt=\"Napoleon granting freedom to worship to the Jews\" width=\"266\" height=\"189\" \/><\/a><p id=\"caption-attachment-720\" class=\"wp-caption-text\">Napoleon granting freedom to worship to the Jews<\/p><\/div>\n<p>Stranger things can happen &#8211; but I did hear the words of Kaddish, the Jewish prayer for the dead, sung to the tune of French national anthem, <em>La Marseillaise.<\/em> The sacred words walked into a very strange house.\u00a0\u00a0 It wasn&#8217;t random, like someone who wandered into a karaoke bar and got mixed up about what room he was supposed to be in. This was of an intentional doing, imagined by French Jews in the 1830s wanting to &#8211; well, join, sing, be good French citizens. They finagled a way to fold and mold, to merge and fit the ritual repetitions of ancient Aramaic into the bloody militant call from the Revolution that had become the country&#8217;s patriotic hymn.<\/p>\n<p>Instead the musical phrases &#8220;Allons enfants de la patrie&#8221; usually sit you get &#8220;Yit-gadal v-yit kadash sh&#8217;mey raba.&#8221; \u00a0What? This takes some getting used to. The familiar rousingly march of accented two beats now merges with the familiar emotional intoning of grief.<\/p>\n<p>The song goes on to praise God&#8217;s name in the spaces where French sing to destroy enemies. Where the Dionysian energies lift to a swelling peak, where all citizens are urged to get their weapons arms and smash away, (Aux armes, citoyens!) we&#8217;re hearing ba-gala ba-agala! \u00a0 In the place of lyrics we can sing by heart (Marchons! Marchons!), we&#8217;re hearing u-vizman uviz-man!<\/p>\n<p>It&#8217;s not that Kaddish doesn&#8217;t get around. It was used by Allen Ginsberg in his famous poem of fury, <em>Kaddish.<\/em>\u00a0 Leonard Bernstein wrote a Kaddish Symphony #3 and Mohammed Fairouz mixed his Kaddish with Palestinian and Jewish poetry in <em>Poems and Prayers. <\/em>It sounds like a Jewish joke, like Serge Gainsbourg did like Ginsberg and made a deeply subversive and joyous critique with the reggae-dub &#8220;Aux Armes, et caetera.&#8221;<\/p>\n<p>This idealistic energy of nationalism is certainly a relic.\u00a0\u00a0 It does show a belief in hyphenated identities &#8211; French Jews believed they could be Jews and fully French. \u00a0And I&#8217;m fascinated with all kinds of mergers, hybrids, efforts of extension and reaching across the aisle. \u00a0Most French Jews still do believe they have a place in <em>la patrie.<\/em>\u00a0 But this is an odd duck. \u00a0 Bending praise of God into superiority of country doesn&#8217;t work. \u00a0The evidence is all around us.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Stranger things can happen &#8211; but I did hear the words of Kaddish, the Jewish prayer for the dead, sung to the tune of French national anthem, La Marseillaise. The sacred words walked into a very strange house.\u00a0\u00a0 It wasn&#8217;t &hellip; <a href=\"https:\/\/blog.jillpearlman.com\/?p=721\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[225,226,223,224,215],"class_list":["post-721","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-gainsbourg","tag-ginzburg","tag-kaddish","tag-la-marseillaise","tag-mohammed-fairouz"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p4D5qU-bD","_links":{"self":[{"href":"https:\/\/blog.jillpearlman.com\/index.php?rest_route=\/wp\/v2\/posts\/721","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.jillpearlman.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.jillpearlman.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.jillpearlman.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.jillpearlman.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=721"}],"version-history":[{"count":3,"href":"https:\/\/blog.jillpearlman.com\/index.php?rest_route=\/wp\/v2\/posts\/721\/revisions"}],"predecessor-version":[{"id":724,"href":"https:\/\/blog.jillpearlman.com\/index.php?rest_route=\/wp\/v2\/posts\/721\/revisions\/724"}],"wp:attachment":[{"href":"https:\/\/blog.jillpearlman.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=721"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.jillpearlman.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=721"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.jillpearlman.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=721"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}